[He pushes his fingers against the floor, trying to work out what it is he wants to say.]
His song. I can hear all of him, the caring bits and the dangerous bits and the cruel bits and the bits that won't admit it but want desperately to make you laugh. All of him. And how . . . some of it I've only seen once or twice, and I've known him for years.
I don't - think of creation - everything that is, was, will be, it's a song. Sometimes I hear snatches of it. Creation is. So I can sort of hear it, but I have to work it into numbers to understand it. But it doesn't mean that I know everything about him. It means...I hear what he's like.
It takes a lot of time for me to hear it. I don't know what's dangerous or cruel. He's never been that way to me. It's just who he is.
[She takes another moment, and stands up, to get her violin, and opens it. She takes a moment to tune, and plays, and it's Seraphim, it's complicated and shy and hesitant. There's a playful bit about it, a part that is scared and afraid, tones and arching music, like-
Like-
Like Seraphim. And then suddenly, miraculously, is her laugh, her voice, her real voice, except it's all on the violin. When she stops she looks at the bow of her violin and looks back up at him.
This is the most vulnerable she's been. And she doesn't know - maybe this was a mistake]
[He looks pale, his eyes wide, like they always get when he doesn't understand something-- but there's no fear, no disgust or cruel laughter. When she stops and looks at him, he stares back-- and then hesitantly reaches for her, offering his hand.]
I don't know if I understand. I think I do, but perhaps not. But-- but it's beautiful, this, what you can do, and that was . . . thank you for sharing that.
[She sets her violin and bow down, and takes his hand, and it's shaking, just a little. She squeezes his hand, careful, before she reaches for her slate]
Only my brother has heard that. And now you. See? Now you hear me, but don't know me.
[He curls up a little, hugging a knee to his chest.]
I'm not typically so articulate, to be honest. Sirius . . . James, too, they've known me so long, I don't have to be. Not always. They're good at emotions most times.
[She considers it for a moment, then wipes her slate clean and offers it to him, with a piece of a chalk. Sometimes, it's easier this way. With chalk and words. To say something he's been keeping in.]
[He stares at the blank slate for a few seconds, uncertain, before hesitantly slipping the chalk against it.
I'm miserable, he writes, and bites at his bottom lip. I want to go home. I want things to make sense. I dislike most of the people here, and I don't want to think about the future, and I bloody well hate James' stupid kid, and I miss just being at home and worrying about essays. I miss Raven and I miss my parents and I just want to go home.
Which is a silly and childish thing to whine about, because so does everyone else, and there's nothing I can do about it, but-- there you have it.]
[She takes it back when he's finished and erases the very last line, and looks at it, and nods, as if she's satisfied with something]
It's not exactly easy for you. I'd like to make it easier.
[She sets down the slate, setting it aside to put her arms around his neck and pull him close. Why he's so easy to hug, she's not sure. Because he's her age, maybe, because he's got that look, like he hasn't had enough hugs in his life, or maybe he just reminds her of Nate, except maybe less pathetically lost than Nate was]
[He sighs softly and leans against her, his hands coming up to hold on to her arm. He doesn't know when or how this became okay-- a girl touching him like this would be unthinkable at home, let alone one Sirius fancied. But it's not a sexual thing, it's nothing romantic-- it's just a hug, a physical way of expression affection, just as he'd do with any of the Marauders.
And maybe it's Raven's lingering influence that lets him relax into it; she'd taught him how to relax and enjoy physical contact, after all. How to not be so nervous. Or perhaps it's Sera herself; that she and he get along so well that they've gotten that comfortable with each other that quickly.
Mumbled:]
I don't know if you can. I don't know if anyone can. But I appreciate it.
You can come here anytime. I'm not the only person who uses this piano, but I do spend a lot of time playing it, so if you like music, you can sit here while I practice, and just close your eyes and go somewhere else.
I think I will, if it's-- I will. It's peaceful. I would that I could play as well, but I've never had much of a talent for music. But I'll sit, and listen, and that'll be-- that'll be peaceful.
[She gives him half a smile, and takes his hands and guides them to the piano, pressing her hands over his fingers, and plays a simple melody with him, just like that.
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You're harder. I'll figure you out, too.
[And she leans over, just putting some weight on him. It's not romantic, it's just comfortable.]
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I'm easy. Insecure, constantly wanting to please, desperate for friends, constantly diving into books.
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No. It's not like...who you think you are. It's who you really are. Your place in creation.
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Thank you. For being here. With me.
[Because he's not the only one desperate for friends.
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[He tugs her in, squeezing her shoulders for a moment.]
When you say it's one's place in . . . in life-- does that mean, then, that you know about-- what precisely do you know about Sirius, then?
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But I know quite a bit.
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[He pushes his fingers against the floor, trying to work out what it is he wants to say.]
His song. I can hear all of him, the caring bits and the dangerous bits and the cruel bits and the bits that won't admit it but want desperately to make you laugh. All of him. And how . . . some of it I've only seen once or twice, and I've known him for years.
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I don't - think of creation - everything that is, was, will be, it's a song. Sometimes I hear snatches of it. Creation is. So I can sort of hear it, but I have to work it into numbers to understand it. But it doesn't mean that I know everything about him. It means...I hear what he's like.
It takes a lot of time for me to hear it. I don't know what's dangerous or cruel. He's never been that way to me. It's just who he is.
[She takes another moment, and stands up, to get her violin, and opens it. She takes a moment to tune, and plays, and it's Seraphim, it's complicated and shy and hesitant. There's a playful bit about it, a part that is scared and afraid, tones and arching music, like-
Like-
Like Seraphim. And then suddenly, miraculously, is her laugh, her voice, her real voice, except it's all on the violin. When she stops she looks at the bow of her violin and looks back up at him.
This is the most vulnerable she's been. And she doesn't know - maybe this was a mistake]
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I don't know if I understand. I think I do, but perhaps not. But-- but it's beautiful, this, what you can do, and that was . . . thank you for sharing that.
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Only my brother has heard that. And now you. See? Now you hear me, but don't know me.
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I think I know a little more about you. Perhaps.
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[A lot more than Sirius.]
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I-- I'm honored you've shared so much with me. Truly I am.
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You're easy to talk to.
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[He curls up a little, hugging a knee to his chest.]
I'm not typically so articulate, to be honest. Sirius . . . James, too, they've known me so long, I don't have to be. Not always. They're good at emotions most times.
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Do you want to talk about something?
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[He shrugs.]
I don't know if I can articulate what's bothering me. I don't know that I even know, really.
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I'm miserable, he writes, and bites at his bottom lip. I want to go home. I want things to make sense. I dislike most of the people here, and I don't want to think about the future, and I bloody well hate James' stupid kid, and I miss just being at home and worrying about essays. I miss Raven and I miss my parents and I just want to go home.
Which is a silly and childish thing to whine about, because so does everyone else, and there's nothing I can do about it, but-- there you have it.]
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It's not exactly easy for you. I'd like to make it easier.
[She sets down the slate, setting it aside to put her arms around his neck and pull him close. Why he's so easy to hug, she's not sure. Because he's her age, maybe, because he's got that look, like he hasn't had enough hugs in his life, or maybe he just reminds her of Nate, except maybe less pathetically lost than Nate was]
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And maybe it's Raven's lingering influence that lets him relax into it; she'd taught him how to relax and enjoy physical contact, after all. How to not be so nervous. Or perhaps it's Sera herself; that she and he get along so well that they've gotten that comfortable with each other that quickly.
Mumbled:]
I don't know if you can. I don't know if anyone can. But I appreciate it.
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You can come here anytime. I'm not the only person who uses this piano, but I do spend a lot of time playing it, so if you like music, you can sit here while I practice, and just close your eyes and go somewhere else.
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See? Simple.]
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